May 2008

One-Year Practical Filmmaking
Full-time 19 May - 27 Mar

From Story to Screen in Eight Weeks
Full-time 19 May - 11 Jul

June 2008

All Courses Open Evenings
Full-time 04 Jun - 03 Dec

Write a Feature Film
Part-time 07 Jun - 29 Nov

Three-Week Editing
Full-time 30 Jun - 18 Jul

July 2008

Acting For Film
Full-time 07 Jul - 01 Aug

August 2008

Young Filmmakers Academy
Full-time 04 Aug - 22 Aug

Young Actors Academy
Full-time 04 Aug - 22 Aug

Three Day Intensive Filmmaking
Weekend 23 Aug - 25 Aug

September 2008

English for Filmmakers
Full-time 01 Sep - 26 Sep

From Story to Screen in Eight Weeks
Full-time 15 Sep - 07 Nov

Part-Time Acting for Film
Part-time 17 Sep - 04 Dec

English for Filmmakers
Full-time 24 Sep - 19 Dec

Two-year intensive BA in filmmaking
Full-time 29 Sep - 24 Sep

Documentary Filmmaking
Full-time 29 Sep - 21 Nov

One-Year Practical Filmmaking
Full-time 29 Sep - 17 Jul

Deliverables checklist

If you decide to commercially exploit your film through a sales agent, or even if you decide to take the task on yourself, these are the elements you will be expected to have:

1. 1 x Broadcast Quality clone of the Master Tape on Digi Beta with (if possible) a separate M&E Track on one of the audio channels for foreign language versions
2. QAR / Quality Assessment Report from a Facility House of the above Digi Beta (if available)
3. 2 x Broadcast Quality Beta SP clone
4. 10 x High quality PAL VHS copies of the Master Tape with front and end credits
5. 10 x DVD copies of the Master Tape with front and end credits (if available)
6. 1 x Timecoded PAL VHS (if available)
7. 3 x High quality NTSC VHS of the Master Tape with front and end credits (if available)
8. 1 x Umatic of the Master Tape (if available)
9. 1 x Mini DV (if available)
10. 1 x Music cue sheet
11. 1 x Copies of any contracts, copyright agreements and/or licensing material prior to this Agreement including all clearances obtained in accordance with Clause 7.3.5. This will include copies of any existing contracts with composers, publishers, record companies, production companies, distributors etc, covering the use of any published music, film extracts, stills, pre-recorded material or any other material owned by a third party.
12. Information about transmissions (terrestrial or other, UK and worldwide) prior to this Agreement including transmission date, broadcaster and country.
13. Technical information:

• Exact running time of film
• Information on aspect ratio
• Original shooting format
  

14. 1 x Transcript with timecodes
15. 1 x Credit list (complete cast and crew list)
16. Synopsis:

• 1 x log line (10-20 words max)
• 1 x very short synopsis (25-30 words max)
• 1 x short synopsis (paragraph)
• 1 x long synopsis (page)
  

17. 1 x Director/Producer/Writer/Cast biographies
18. 1 x Set of publicity stills (written information on the back regarding who is in the picture and what part of the film it relates to). If these images are available as JPEGS please supply them at the highest resolution possible.
19. Any other publicity material (posters, flyers, press kits, photo of dir / prod etc). All of this helps in promoting the film.
20. A list of any awards, festivals, accolades which the film has received or entered and regular updates from the Maker for our reference.