May 2008

One-Year Practical Filmmaking
Full-time 19 May - 27 Mar

From Story to Screen in Eight Weeks
Full-time 19 May - 11 Jul

June 2008

All Courses Open Evenings
Full-time 04 Jun - 03 Dec

Write a Feature Film
Part-time 07 Jun - 29 Nov

Three-Week Editing
Full-time 30 Jun - 18 Jul

July 2008

Acting For Film
Full-time 07 Jul - 01 Aug

August 2008

Young Filmmakers Academy
Full-time 04 Aug - 22 Aug

Young Actors Academy
Full-time 04 Aug - 22 Aug

Three Day Intensive Filmmaking
Weekend 23 Aug - 25 Aug

September 2008

English for Filmmakers
Full-time 01 Sep - 26 Sep

From Story to Screen in Eight Weeks
Full-time 15 Sep - 07 Nov

Part-Time Acting for Film
Part-time 17 Sep - 04 Dec

English for Filmmakers
Full-time 24 Sep - 19 Dec

Two-year intensive BA in filmmaking
Full-time 29 Sep - 24 Sep

Documentary Filmmaking
Full-time 29 Sep - 21 Nov

One-Year Practical Filmmaking
Full-time 29 Sep - 17 Jul

Week 6: Physical Production and Post-Production

Mondays session this week was the final session with Line Producer Victoria and the session focused on the legal and contractual aspects of physical production. We looked at everything from actors contracts to location agreements and Victoria talked us through the roles of the different HOD's in ensuring everything is legalized and fully contracted! It all sounded like a nightmare and was a lot more of a complex operation than I had realised! However, it was great to have it all explained and I do feel that if I ever get to the stage of making a movie I will be much more knowledgeable about not only how to budget, schedule and manage the production, but also am much more aware of the other responsibilities of a line producer to ensure that the production is not only made but is made legally, safely and as cheap as possible!

On Tuesday we then moved on to the equally complicated world of Post-Production. This was the first of two sessions to be led by Post-Production Supervisor Helen De Winter. During this session Helen explained the role of a post-production supervisor in terms of supervising both the physical production and ensuring that all the legal and copyrights are fully sanctified. It was something I had not really considered before but the Post-Production Supervisor, who is not always used in UK independent film productions, is the mirror of a line producer in the post-production process. It was an energetic and fascinating session and Helen broight in a movie to show us which had been practically made in post-production after arriving at the post-house with 70% of the sound missing follwoing an on set dispute! It was incredible to then discuss what had been done in post and how this movie had been saved by the incredible technologies we now have. I am really looking forward to continuing this session next week as post-production is an area I feel thoroughly confused by but have quickly come to realise how important it is to understand as an independent producer. 

 

Roger Goldsmith

(Story To Screen In Eight Weeks) felt this course gave him the confidence he needed to take the films he writes into production. His graduation film has been selected for screening on two high profile websites and was well received at a recent screening in Portsmouth. He is now in pre-production for a short film he has written, to be directed by award-winning feature director Owen Carey Jones.